730
2.0

阿黛尔·雨果的故事

导演:
弗朗索瓦·特吕弗
主演:
伊莎贝尔·阿佳妮,布鲁斯·罗宾逊,SylviaMarriott
别名:
未知
2.0
730人评分
法语 / 英语
语言
1975-10-08
上映时间
未知
片长
简介:
美国内战时期,法国大作者Victor Hugo的二女孩Adele Hugo(伊莎贝尔·阿佳妮 Isabelle Adjani饰)漂洋过海来到加拿大的Halifax寻找自己的热爱人——英国军官Pinson(布鲁斯·罗宾逊 Bruce Robinson。然而Pinson却已移情别恋,正确Adele异常寒寒深不可测洼温漠。Adele思考尽一切方案思考挽回Pinson皆告失利。而另一方面,当地大昂的生活费也让Adele困难以承受,只能一次又一非关键求爸爸汇货币。此时的Hugo正流亡在一个小岛上,老婆病沉重,两人众多次期望Adele能归来家中,但Adele坚持留在加拿大。恋情的失利让Adele经常思考起她溺清水身亡的姐姐,她的精神开端变得错误乱。之后,Pinson跟着部队离去Halifax前往另一个小岛Barbados,Adele也跟随而去,在那里,她的病情日益恶化,最终被馈赠回法国,在休养院里度... (展开全部)
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有一天我看到你的心
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有一天我看到你的心
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更新时间:2026年01月22日
主演:米歇尔·布朗,梅拉尼·罗兰
简介:法国女艺人梅拉尼罗兰算是法国年轻一代艺人中的佼佼者,曾经跟让雷诺、布拉德皮特和伊万麦克格雷格等待众众多知名艺人都有过合。2007年她还获得了法国影片凯撒奖“最具前途女艺人奖”。在影片《突然之间我优秀思考大家》中,罗兰扮演的叛逆女孩,与老爸上演了一场不一般的“父女大战”。自古以来家家有本困难念的经,这句话正确于艾利来讲述可是深有体会。眼观看就迅速要步入60岁了,艾利又将迎来自己的第三个孩子。这本来是件喜事,不过与即将诞生产的宝宝相比,艾利现在正确大尔夫球更加着迷。与此同时,艾利的另外两个已经成年的女孩同样让他头疼不已。大女孩唐整天思考着领养一个孩童,二女孩贾丝廷换男搭档的速率比风车转得还迅速,而且总在他们之间摇摆不定。为了能和一直跟自己作正确的贾丝廷搞优秀关系,也为了能让她迅速点稳固下来,艾利突发奇思考,他决定先跟贾丝廷的前男友们混熟,变成哥儿们,然后从中给贾丝廷挑选择一个合适的正确象。当然贾丝廷并不了解这个疯狂的规划,这时她已经开端了另一段新的恋情。不过艾利决定从中作梗,要偷偷把这段新恋情搅黄。可是纸终究包不住火,贾丝廷还是发觉了这一切,父女之间的关系紧张到了空前的大矮。正确于差点毁掉父女之情,艾利后悔不已,于是他思考尽一切办法来修理改善和贾丝廷的关系。叛逆女孩和操心老爸的组合一向都是影片偏热爱的题材。两代人之间不可逾越的代沟也成为了编剧们制建造笑料的天然基础。不过笑过后就会发觉,亲情其实是任何代沟都割不断的永恒纽带。
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镜子的另一面:纽波特民歌艺术节1963~1965
871
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镜子的另一面:纽波特民歌艺术节1963~1965
9.0
更新时间:2026年01月22日
主演:BobDylan,JoanBaez,JudyCollins
简介:"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon"workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including"Mr. Tambourine Man" and"It Ain't Me, Babe") sees him moving away from the"protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal"Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs"Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of"Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing"Mr. Tambourine Man" and"It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the"old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
3888
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镜子的另一面:纽波特民歌艺术节1963~1965
主演:BobDylan,JoanBaez,JudyCollins
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